I decided I wanted to make a film to convey the spirt and joy women bring to the surfing line up. I spend a lot of the time bopping in the water with my camera, and women definitely add a different dynamic which makes surfing more fun. Particularly in the longboard discipline .
Friends and couples are made on the ocean. I know people who have been married from meeting on the water.
Women can also surf aggressively and with so much courage, but still with amazing beauty and grace. Women are equals in the ocean .
I really wanted to capture all of this this in motion ! So my project Salty Women was born.
I’ve been fortunate enough to have shot in some of the best longboarding locations in Australia.
This film is made up of footage I have taken over the past 6 months in Sydney , Noosa and Byron bay.
Whist making this film I was looking for music that would go with the theme and vibe. I was lucky enough to come across the Tipsy Scholars who have just released an awesome EP. Their music is wonderful and I felt went perfectly with the mood of the film.
Be sure to check them out.
This film will be entered in the Womens Surf Film Festival.
And by sharing / liking and commenting on this film you are helping support me so I am able to create more content like this for you.
I also encourage you to watch this wonderful documentary
It follows the story of six friends from Brookvale who shaped the history of surfing in Australia. We dive into a golden decade when surfing was transformed into a sport and a culture with its own music, movies, fashions and heroes. From the primitive factories in a former market garden at Brookvale, bordering the favoured wave spots of Dee Why Point and Fairy Bower, these pioneers became known as “The Brookvale Six”.
Be sure to take note of one the young guys attitudes to women in the surf …… apparently its not normal …….ha ha.
The Snowy McAlister Winter Festival is one of my favourite weekends in winter, as its a long weekend ( thanks Queen) and it means we get to see some great surfing talent in Manly.
I first shot the Snowy McAlister in 2015. Longboarding was sort of off my radar then, and I was more interested in shooting shortboards and the inside of barrels. I was immediately smitten with the grace and style of longboarding, and since then it has been mostly what draws my lens.
You can read all about the history of The Snowy festival here .
The 2018 even was a great success despite some crap weather on a couple of the days. At least this year we didn’t have to fight through a bank of sea weed to get to the break.
Finals day was the best day surf wise, we got some really nice clean waves with a little height, and a perfect sunny day. Most of the footage I captured is from day 3.
Huge thanks to the organisers and the surfers for putting on a another great event. I hope my short film and the images do it some justice.
Here is a small film :
Here are some stills I took from the water during day 1 and 3. This is only a small selection of images I took, feel free to contact me if you are looking for a particular surfer.
Full gallery is here :
If you would like any images as prints please contact me and I can arrange something for you.
Thank you for supporting local artists by sharing, liking and commenting on this post as it helps us grow and to be able to continue to create more like this for you to enjoy.
Be sure to check the other photographers and videographers who covered the event.
Thanks Mark <3
Everyone knows that sunrise or sunset is the best time to take photos. This is especially true around the ocean. The ocean and the golden light provided by the sun just makes magic. When I am down at the beach at Sunrise, and its an especially beautiful sunrise, almost everyone on the beach just stops in their tracks - even the serious runners , as they just take in the beautiful sight (which quite often involves pulling out their phone to take a photo).
SHOOTING IN THE WATER AT SUNRISE
Sunrise is my favourite time to shoot in the ocean. There is just something so special of being in the water, whist the sun slowly starts peeping over the horizon. The golden light on the water, and lighting up the surfers and waves is always mesmerising. Its quite challenging shooting at this time because light is either low, or if you are shooting into the sun super bright. I will usually shoot in Tv mode at this time. I put the ISO as low as I can (less than 500 if ideally), and the shutter speed as high as I can. Depending on the camera / lens - around 200 - 640 is a good speed. ( 200 if you have image stabilisation ) . when you are shooting into the sun, even if the sun is not super bright, cameras can struggle to deal working out the exposure. Thus may be a good reason to shoot in manual mode.
When you get surfers coming from the side - with sunlight on the side of them. , you can get really nice clear shots, especially beautiful when they have golden light on them ( see shot of Billy and Faz below) . Sometimes if a wave is coming from the front, I will sink into the water so that I am shooting from the shade of the wave. The camera is able to expose better as it does not have to deal with super bright light coming into the lens.
If I am shooting in TV or AV mode (which is ONLY in low light and fast action ), I always set my exposure to 1/2 stop under exposed. In fact even when shooting manually I usually aim for slightly underexposed. With todays cameras is easy to bring out the shadows using the shadows slider in lightroom. If you overexpose , you cant save anything.
In automode, setting exposure to slightly under middle, means that if your shutter speed is 800, it will give you more depth with AV.
Never shoot in auto ISO. Especially when light is low. You will always be disappointed. You cant save much when ISO is high and its grainy.
Editing sunrise can also be challenging. Silhouette photos are probably my favourite sunrise picks. They always get great engagement, and they are images you can sell. For these I usually drop the shadows (in lightroom), add some contrast, add some noise reduction and dehaze , and then I use the WB or the colour sliders to adjust the colours of the image to something that matches what I saw with my eye on the morning. Cameras don’t usually deal with the golden light very well. I find too much yellow. People can also be tempted to add clarify, but I find reducing clarify yields a better photo. Clarity makes the edges too harsh.
Generally speaking, if I am shooting more than one person and in the surf at sunrise, I will always shoot with a wider lens. ie 35mm or 50mm. Anything wider and you just cannot get close enough. If I am shooting one person, I would choose a 50mm or 85mm.
ABOUT THIS SHOOT
For this shoot , I met my friends Faz, Billie, Andy and Matt. It was a Faz’s birthday and we decided to start the day with a sunrise surf. ( Happy birthday Faz!!!!) Autumn is in full swing here in Sydney and it was pretty mad of Faz to brave the conditions in a one piece ( provided by oNeills womens) . I dont like shooing people in wetsuits. I think the photos where you can see more of the person ie ( their skin) just work so much better than a wetsuit. You can probably link this to the colour grading technique used in cinema where teal/orange are used as strong colours (ocean/skin colour). As a general rule - I dont shoot people in wetsuits unless its in epic surf conditions where the waves and conditions are the focus of the image. ( blog on this coming soon)
#SURFING #SUNRISE #BIRTHDAYSURF #SURFERGIRLS #SURFGIRL